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« on: November 01, 2010, 01:29:37 PM »
sorry everybody to ruin the harmony of this thread but i gotta. SLDD is by far the weakest of STP's albums. Due to their incredible talent, STP has changed the sound of their music in every album, not an easy feat by any stretch so to have one album which misfires IMO is not surprising. it says a lot about the band and Weiland (who after hearing him live twice recently for the first time, should be renamed "the voice", what an incredible singer) that they have been able to pull this off successfully. songs like interstate love song, big bang baby, and huckleberry crumble are testaments to how STP can create incredible music with the overall tone sounding different from one album to the next.
When i first heard SLDD i was incredibly disappointed by the overall product but over time i have appreciated it more. it's not a terrible album but it just doesn't have the overall excellence heard in the other five albums. the word i would use to describe the overall album is meander. a lot of the music just seems aimless in its totality.
MEDIOCRE/BAD - black again, hello it's late, a song for sleeping, long way home (my least favorite stp song)
OK - dumb love, days of the week, regeneration, bi-polar bear, transmissions...,
GOOD/GREAT - coma, wonderful, too cool queenie, hollywood bitch
now, hollywood bitch is one of my top 5 stp songs, but the album disappointed me then and still does. i was not surprised that the band broke up after this album because the music lacked a cohesiveness. it would have been a good album for any other band but for STP it was simply OK